The Night We Found Sanctuary

Chapter 8- Petyr

I held out my hand in the dark. The flickering credits lit Dimitri’s face in pulses—white, then shadow, then white again. He stared at my open palm like it might bite him.

I said nothing. I didn’t need to. He understood what I was offering. Not just help from the creaky velvet seat, but something else. A question I couldn’t speak aloud.

After a long second—two, maybe three—Dimitri slid his hand into mine. His skin was warm. Warmer than I expected, and dry like paper in winter. I tightened my grip and lifted him to his feet.

And then I let go.

We shuffled down the narrow aisle with the other filmgoers, coats rustling like dry leaves, boots scraping the cracked tile floor. I kept my hands jammed in my coat pockets, fingers still tingling from that brief, stupid, beautiful contact.

Outside, the cold wrapped around us like a punishment. The night air smelled like burnt coal and wet stone. My breath came out in ghosts. I couldn’t look at Dimitri. Not directly. Not yet.

The streets were mostly empty—too late for commuters, too early for the drunks. A trolley clattered past on the far side of the square, its windows steamed up, casting yellow light like a terrible memory.

I should’ve left it there. Should’ve said goodnight, gone home to a mug of watery tea, and tried to pretend that a man like Dimitri never would have taken my hand in the dark. But I couldn’t stop thinking about what I saw in the restroom earlier.

He was leaning against the cracked porcelain sink, with a cigarette dangling from his lips. Sergei. One of the old guard from Sanctuary. He nodded when he saw me and said nothing—but I knew what that meant.

“Is it still there?” I asked him casually, like I was asking about the price of eggs.

He didn’t answer right away. Just looked at me, eyes sharp. Then: “No. Moved last week. Same password. Bathhouse on Kirochnaya, three blocks from here.”

I barely had time to thank him before he stubbed out the cigarette on the sink and vanished like smoke.

And now here I was, walking with Dimitri, who might ruin everything.

If I was wrong—if I’d imagined the way he looked at me, the way he sat just a little too close in the cinema—then this was suicide.

If I was wrong, he could report me. One anonymous phone call to the wrong party official and I’d disappear like that cigarette smoke. Not just me, either. Every man at Sanctuary, every man who ever trusted me.

I had Vera, thank God. She could say all the right things. She could cry on cue. Our neighbors loved her. She’d never crack.

But if Dimitri ever found out that she and I were fake—just a pair of ghosts in a frame—then I’d be out of alibis. And Vera… she didn’t deserve to go down with me.

I couldn’t tell him. I wouldn’t tell him. If this night led to anything—if it became a story instead of a mistake—I’d tell him Vera didn’t know a thing. I’d lie through my teeth to keep her safe.

We walked in silence. Our boots crunched on the old frost. The bathhouse loomed just a couple of blocks ahead, abandoned by the city but reborn by us. Its windows were dark. Always dark.

Halfway there, Dimitri stopped walking.

“What is Sanctuary?” he asked.

My heart made a noise I didn’t care for. Not a beat, no, something worse. Like a hinge breaking.

I turned toward him. Dimitri looked serious. Not angry. Not frightened. Just… wary. Like someone listening to a song he didn’t know the words to.

And that was the moment. The moment to turn around, to say “Forget it, let’s get a drink,” to laugh it off like it was a joke.

But I looked at him, like I really looked at him. And something in his face, his eyes, maybe, or the way he tilted his chin like he expected pain, made me want to put my hands on his shoulders and promise him everything would be okay. Even if it wouldn’t.

“It’s a club,” I breathed. “A secret one. Very exclusive.”

He frowned. “For what?”

I exhaled, fog billowing between us.

“For men,” I said. “Like ourselves.”

He blinked. “Like—what do you mean?”

I didn’t answer. Just started walking again, slowly. He followed.

I didn’t know if that meant Dimitri understood, or if he just didn’t want to be left alone on the street. Maybe both.

Each step closer to the bathhouse felt like a countdown. To what, I wasn’t sure. Salvation, or exposure. Either way, I’d know by the end of the night.

The old bathhouse loomed like a relic of some forgotten empire, all crumbling stone and ironwork detail blackened by years of soot and cold. The windows had been boarded up long ago, and the glass that remained was warped and yellowed like old teeth.

As we approached, I spotted a man lingering just to the side of the main entrance. Heavy coat, fur hat pulled low, cigarette glowing between his fingers. I knew his face. Mikhail, or maybe it was Milosz—names were slippery here, rarely used.

I nodded once. “Where’s the entrance tonight?”

He didn’t speak, just jutted his chin toward the alley that snaked down the left side of the building.

“Thanks,” I muttered, and led Dimitri down the narrow passageway.

The alley was quiet, shielded from the wind, but no warmer for it. A rusted drainpipe dripped somewhere behind us. Halfway down, we found the door—plain wood, painted gray, with a handle that looked like it had been yanked off an industrial freezer.

I knocked. Once, then twice, then once again. The rhythm, like always.

It opened a crack. A man with sharp cheekbones and a shaven head peered out, face cast in shadow.

“Who sent the invitation?” he asked.

I didn’t hesitate. “The conductor’s baton,” I said.

He nodded, unimpressed. “Two rubles each.”

Of course. I pulled my hand from my pocket and handed him a folded bill. He took it, inspected it like it might be counterfeit, then swung the door open wider and stepped aside.

“Welcome to Sanctuary,” he muttered.

We stepped inside.

The first thing that hit me was the heat. Not just warmth—heat. The kind that made you want to rip off your coat and shirt and skin. It smelled like old steam, sweat, cigarettes, and the ghost of something floral—someone had brought cologne, bless them.

The lights were dim, with low-watt amber bulbs that made everyone look better than they were. The ceilings were high, still arched, like in the days when men came here to sweat out their sins. Cracked tiles lined the floor, and the walls were flaking paint in pastel shades of green and blue.

There were maybe twenty, thirty men. Some milling about in twos and threes, talking in low voices. Others leaned against the walls like they were part of the furniture. At the far end of the room was a bar—more of a table with bottles on it, but it did the job. A mirror hung crookedly behind it, and a fan turned lazily above, doing absolutely nothing.

“I’ll get the first round,” Dimitri said suddenly.

I blinked at him. “What?”

“You paid to get us in.” His jaw was set like he was volunteering for the front line. “Let me get the drinks.”

I didn’t argue.

We approached the bar, and the bartender, a man who looked like he’d lived through several regimes and hated all of them, eyed us with suspicion before grunting. Dimitri ordered vodka. Two shots. The genuine kind, not the potato-flavored turpentine they served in worker bars.

The bartender slammed the glasses down and swept the money away before we could blink.

We took our drinks and started walking. I didn’t lead. I let Dimitri take it in, his eyes darting to the shadows, the alcoves, the archways that once led to changing rooms and now led to secrets.

That was when he stopped.

He froze mid-step. Glass still in hand.

I turned to follow his gaze.

In the far corner, half-hidden behind a concrete column and a threadbare curtain, two men stood very close. One pressed the other against the wall, his hand buried in the other’s hair. Their mouths moved together, slow and hungry, like they had all the time in the world.

Dimitri stared. He didn’t blink. His jaw slackened just slightly.

I said nothing.

The noise of the room fell away. It always did in moments like this, when the rest of the world didn’t matter. Only the breath between us. The beat of a heart. The truth rising up from somewhere too deep to deny.

I took a breath. Held it.

Then, with all the calm I didn’t feel, I reached for his hand.

He didn’t look at me. Not yet. He stared at my hand like it was something that might explode.

Then Dimitri looked up.

His eyes—God, those eyes—widened, not in fear, but in recognition. Something clicked. Some ancient lock deep in his chest finally gave way.

And then, slowly, he slid his hand into mine.

It was warm. Steady.

I wanted to shout out loud and drag him out onto the cracked tile floor and dance until our boots fell apart. I wanted to kiss him right there, just to prove I hadn’t imagined the whole thing. But I didn’t do any of those things.

Instead, I just squeezed his hand.

And for the first time in a long time, I felt like I hadn’t been wrong.

I didn’t say a word as I led him away from the soft murmur of voices and the flickering amber bulbs. Just tightened my grip on his hand and walked, careful not to rush, careful not to let go.

There was a quiet alcove off to the side, half-shielded by an old shower curtain still hanging from a bent rod. The tiles back here were chipped worse than the rest, the air damp with ghostly memories of water and steam. It was far enough from the others to feel hidden, but not so far as to feel dangerous.

We stopped.

I turned to face him, and he looked at me like I had just pulled him underwater. His eyes searched mine, restless, unsure whether to fight or surrender.

We still held our drinks.

“To surviving another week of blankets,” I said, trying for humor, but my voice cracked halfway through.

He blinked. Then nodded, and we both tipped back our vodka. It hit like fire and smoke.

Dimitri lowered his glass and stared at it for a long moment.

Then, in the quietest voice I’d ever heard from him, he asked, “Why did you bring me here?”

His voice trembled. Not with fear, at least not only that, but with something heavier. Hope, maybe. Or a longing that hadn’t yet found a place to land.

I took the glass from Dimitri’s hand and set it down beside mine on the low ledge. Then I stepped forward, into the small pocket of space between us.

He didn’t move.

I reached up, rested my fingers on his jaw, and saw his throat jump as he swallowed.

“Because I couldn’t keep pretending,” I said, my voice low. “I couldn’t stop thinking about what you might taste like.”

And then I kissed him.

There was no music. No crescendo of violins or clamor of trumpets—just the wet click of our lips and the pounding of my heart, too loud in my own ears.

He gasped into my mouth, like he’d forgotten how to breathe until now.

It wasn’t a perfect kiss. Our noses bumped, and my hand shook a little, and I felt him trembling beneath his coat like a storm just starting. But when he kissed me back, God, when he kissed me back, it was like the world cracked open.

I broke away first, only because I had to. Because if I didn’t, I was going to fall apart right there.

We were both breathing hard. Not like men who had climbed stairs, but like men who’d been holding their breath their whole lives and had finally exhaled.

“This,” I said softly, brushing my thumb against his cheek. “This is why I brought you here.”

Dimitri blinked, dazed. “Because of the kiss?”

I nodded. “Because of everything leading up to it.”

And Dimitri kissed me again.

This time, there was nothing gentle about it. It was hunger and terror, and his hands clutched at my coat like he was afraid I might disappear. I pressed him back against the cold tile wall and gave him everything I had.

We broke apart, panting, eyes locked. Every part of me felt like it was sparking.

There was a pause. Long. Heavy. Beautiful.

Then Dimitri whispered, “What happens next?”

Preorder your copy of The Fire Beneath The Frost from your favorite online bookstore now.

Interview with Benjamin Kensington: Ambition, Redemption, and the Weight of Legacy

Today, we’re sitting down with Benjamin Kensington, a man whose life has been a whirlwind of ambition, love, and self-discovery. From the bustling financial world of New York City to the crumbling halls of his family estate in Montpelier, Virginia, Benjamin’s story is one of transformation, redemption, and wrestling with his own identity.


Interviewer: Benjamin, thank you for joining us today. Let’s start with your return to Montpelier. What’s it like being back at Kensington House after all these years?

Benjamin: It’s… complicated, to say the least. Kensington House is home, but it’s also a reminder of everything I wanted to escape. Coming back has stirred up emotions I thought I’d buried—nostalgia, guilt, pride… and a lot of regret. The house is in shambles, which, in some ways, feels like a metaphor for my life right now.


Interviewer: That’s an interesting comparison. The estate represents your family’s legacy, but it sounds like it also weighs heavily on you. What does Kensington House mean to you?

Benjamin: Growing up, it was a symbol of privilege, but also of obligation. My mother always emphasized the importance of preserving the estate and our family’s name. But I was young, restless, and ambitious. I didn’t want to spend my life fixing old staircases and hosting charity tours. Now, I see the house differently. It’s more than bricks and mortar—it’s history, memories, and potential. Saving it feels less like a burden and more like an opportunity to redeem myself.

Interviewer: Speaking of redemption, your return has also brought you face-to-face with Deacon. How has it been seeing him again after all this time?

Benjamin: (Pauses) Seeing Deacon has been… difficult and wonderful all at once. He’s everything I remember—steadfast, kind, and frustratingly grounded. I know I hurt him when I left, and I regret it every day. He represents a life I could’ve had if I’d made different choices. Being around him again reminds me of what I’ve lost, but also what I might still have, if I’m lucky.


Interviewer: It sounds like Deacon has had a profound impact on you. What do you think is the biggest obstacle between the two of you now?

Benjamin: Trust. I broke it when I chose my career over him, and I can’t blame him for being wary now. I’ve spent so much of my life chasing status and wealth, and I think Deacon sees me as someone who only cares about the surface of things. Proving to him—and to myself—that I’m capable of more is the hardest challenge I’ve ever faced.


Interviewer: Shifting gears a bit, let’s talk about your career. You’ve mentioned how important ambition was to you in the past. Do you still see yourself returning to the world of finance?

Benjamin: Ambition has always been a driving force for me, but I’ve started questioning what that word really means. Does it mean climbing the corporate ladder, or does it mean building something meaningful that lasts? For now, I’m focused on restoring Kensington House. Whether that means turning it into a wedding venue, a museum, or something else entirely, I’m determined to make it a success.


Interviewer: That’s a big shift from the fast-paced world of New York City. How has your time back in Montpelier changed your perspective?

Benjamin: It’s been humbling, honestly. In New York, everything was about appearances—how much you made, what you wore, who you knew. Here, none of that matters. What matters is community, relationships, and legacy. I’ve had to confront parts of myself I didn’t like very much. It’s been uncomfortable, but also necessary.


Interviewer: You’ve mentioned legacy a few times now. What does it mean to you, and how does it play into your current journey?

Benjamin: Legacy used to mean power and prestige—carrying on the Kensington name in a way that turned heads. Now, it’s more about connection. It’s about honoring the people who came before me, like my mother, and creating something worthwhile for the future. Restoring Kensington House isn’t just about the building; it’s about proving to myself and others that I can leave something good behind.


Interviewer: It sounds like you’re on a path of transformation. If you could go back in time and tell your younger self one thing, what would it be?

Benjamin: I’d tell him to slow down. To stop chasing things that only look good on paper and pay more attention to the people who truly matter. Ambition isn’t inherently bad, but when it blinds you to love and authenticity, it can destroy you.


Interviewer: That’s beautifully said. Last question—what do you hope for your future?

Benjamin: I hope to find balance. I want to build a life that honors both my ambition and my heart. Whether that means rebuilding Kensington House, rekindling my relationship with Deacon, or simply finding peace with myself, I just want to be proud of the man I’ve become.


Interviewer: Thank you, Benjamin. Your honesty and vulnerability are inspiring. We wish you the best as you navigate this new chapter of your life.

Benjamin: Thank you. It’s not easy, but I’m learning that the hardest paths are often the most rewarding.


Making It Real publishes on February 26, 2025. It’s available on Amazon, Apple Books, Google Play, Kobo, Nook, and Smashwords. Preorder your copy today for the low price of 2.99. On the day it publishes the price goes up to 3.99, so reserve your copy today and save!

An Interview with Maxwell “Max” Coleman: RVA’s Food Critic on Flavor, Recovery, and Rebirth

As the heart of Richmond’s culinary scene continues to beat stronger than ever, it’s hard to ignore one of the city’s rising stars in food journalism, Maxwell “Max” Coleman. A food blogger with a loyal following and a discerning palate, Max has made waves not just for his honest takes on local cuisine but for his own deeply personal journey of healing and transformation. Today, I sat down with Max to talk about food, life, and what’s next for this talented writer as he makes RVA his new home.

Q: Max, first of all, welcome to RVA! You’ve made quite a name for yourself in the food world, but before we get into all of that, let’s talk about your decision to move to Richmond. Why now, and why here?

Max Coleman: Thanks! Richmond has always had a special place in my heart. It’s not just the food scene, although that’s a big part of it. After everything I went through—recovering from my injuries, dealing with addiction, and getting back on my feet—I wanted a fresh start. RVA is close to where I grew up in Norfolk, but it also gives me the chance to carve out something new, you know? Plus, there’s just so much happening here in terms of food and culture, I couldn’t resist.

Q: You mentioned your recovery, and I know that’s a big part of your story. Can you share a little more about that journey?

Max Coleman: Yeah, it’s definitely been a wild ride. After the Unite The Right protest in Charlottesville where I got injured, things took a dark turn for me. The physical pain was one thing, but the emotional toll—that’s what really hit me. I got caught up in prescription pills, which started out as a way to manage the pain but became something much more destructive. There were moments I didn’t know if I’d make it out, to be honest.

But food became my lifeline. Writing about food, photographing it, experiencing it—it gave me something positive to focus on. It’s strange to say, but in a way, food saved me. That’s why I’m so passionate about it. It’s more than just a meal for me; it’s part of my healing.

Q: That’s powerful, Max. How has your personal journey shaped the way you approach food blogging?

Max Coleman: It’s all about being present for me. I used to be the guy who’d chase the next big trend, but now, I’m more interested in stories—both on the plate and behind it. Food is an expression of culture, of history, of love, and sometimes, even of pain. I like to dig deep into that, into why a chef chooses certain ingredients or why a dish matters to a community. And that’s why I focus so much on local chefs and hidden gems—there’s a richness to be found in the stories behind the food.

Q: Speaking of your blog, it’s been growing steadily! What’s next for you in terms of content creation and the overall direction of your platform?

Max Coleman: Oh man, I’ve got some exciting things in the works. I just moved into this amazing loft in Shockoe Bottom, and part of why I’m here is to take my blog and my videos to the next level. I’ve been doing all the filming and editing myself, but now I’m working with a professional videographer based in Church Hill. This woman knows her stuff—she’s going to help me create some really dynamic video content that captures not just the food, but the entire dining experience.

I want to highlight more of the “unseen” parts of the culinary world. Like, what goes into prepping for a pop-up? What does a chef feel in the moments before service? I want my readers—and viewers—to get that behind-the-scenes look.

Q: It sounds like there’s a lot on the horizon. Do you have any advice for aspiring food writers, especially those who may be struggling with personal challenges?

Max Coleman: My biggest piece of advice? Don’t give up on yourself. I know that sounds cliché, but it’s true. When I was at my lowest, I didn’t see a way forward, but there was one—I just had to keep moving, even when it felt impossible. Whether you’re dealing with addiction, mental health struggles, or even just the day-to-day grind, it’s okay to take things one step at a time.

And when it comes to food writing specifically—stay curious. Always. There’s always something new to learn, a new flavor to discover, or a new story to tell. That’s what keeps me going, even on the tough days.

Q: Final question—if you could only eat one dish for the rest of your life, what would it be?

Max Coleman (laughing): Oh, that’s cruel! But okay, if I had to choose—it’d be tacos. There’s just so much you can do with them, and they’re a perfect balance of flavor, texture, and creativity.

Read Electric today and get to know Max and Daniel, and how love mends what life has broken. Electric is available at Amazon, Apple Books, Google Play, Kobo, Nook, and Smashwords.